CORN SHUK MEI HO 何淑美 :
“Often psychological, my paintings delve into deeper levels of human innermost states of mind. I create atmospheric, melancholic paintings conjuring up feelings of dislocation. I wish to draw the viewer into an imaginative and uncanny world by applying layered paints on various flat objects to connect with memory related subjects.
My paintings document my interest in the lost and the found, what is passing memory and what is synthesised as trace in the landscape. I study this in a micro-perceptive. I am especially focusing on one individual’s story. Exploring our multiple temperaments and capturing the essence of a fading moment has been part of my practice since my early work, interviewing people around me about their personal experience in my Landscape-Memories Series (2013-2014).
I am an experimental oil painter. In Multi-layers Series (2014-2016), I painted on transparent acrylic boards to transfer paintings into memorable objects. Some of them are displayed in the country parks and some are installed with video installation. I believe that using layers, elements, colours and lines I can create touchable objects like mementos, which are strongly attached to depicting time and memory.
Most recently, Dear Lily Project (2016) depicts unpleasant experiences from childhood. I use time-lapse as part of my research: some facts are hidden in our subconscious and the event timeline is faded, however the cause remains to affect us. German artist Rebecca Horn once mentioned her escape into freedom by making arts to suppress her anxiety from the despairing recovery in hospital. That is also the reason of beginning my art journey.”
9 June 2016 edited
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